Photo
A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE
Photo
A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE
Photo
A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE
Photo Studio 24
A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE
Photo
A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE
Photo
A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE
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A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE
Cast & Crew
- DirectorRoy Andersson
- Producer
- ScreenwriterRoy Andersson
- Director of photography
- ProtagonistHolger Andersson (Jonathan), Nils Westblom (Sam), Viktor Gyllenberg (King Charles XII), Charlotta Larsson (Limping Lotta), Lotti Törnros (the Flamenco teacher), Jonas Gerholm (the lieutenant colonel), Ola Stensson (the captain/hairdresser), Oscar Salomonsson (the Flamenco dancer), Roger Olsson Likvern (the caretaker)
- Editor (Cut)
- Sound Design
- Original Score
- Production Design
- Costume Design
Director's comment
Bruegel the Elder: Among his other Renaissance masterpieces, the sixteenth century Flemish artist painted an exquisite landscape entitled “Hunters in the Snow”. From a snowy hilltop overlooking a small Flemish town, we see villagers skating on a frozen lake in a valley. In the foreground, three hunters and their dogs return from a successful hunt. Above them, perched on the naked branches of a tree, three birds curiously observe the endeavours and pursuits of the people below.Bruegel specialised in detailed landscapes populated by peasant and frequently adopted the sweeping perspective of a bird to tell a story of society and human existence. His oeuvre also contains fantastical allegories of man’s vices and follies, using flawless satire to express the tragic contradictions of being. In his painting, “Hunters in the Snow”, the birds appear to be speculating: “What are the humans doing down there? Why are they so busy?”
A PIGEON ON A BRANCH consists of a birds’s panoramic view of the human condition, in which the bird not only reflects on human existence but also worries deeply about it, as I do myself. The pigeon is astonished that humans do not see an approaching apocalypse, though it is in man’s ability to avoid destroying the future for themselves. A PIGEON ON A BRANCH shows the looming apocalypse and offers the possibility to believe in our capacity to avoid it.
Biography
ROY ANDERSSONBorn in Gothenburg in 1943. Trained as a film director at the Swedish Film Institute’s Film School in Stockholm at the end of the 1960s, Roy Andersson made his feature-length film debut in 1970 with A SWEDISH LOVE STORY, followed by GILIAP in 1975. After this, he made numerous award-winning advertising films and, in 1989, the unfinished AIDS film SOMETHING HAPPENED. In 1991 he started the Gothenburg Film Festival’s relay film project ‘90 minuter 90-tal’ with the short WORLD OF GLORY. He is the co-editor of the anthology “Successful Freezing of Mr. Moro” (1992), contributing editor of the exhibition “Sweden and the Holocaust” (since 2009), honorary doctor at the University of Gothenburg and honorary chairman of the Gothenburg International Film Festival (since 2009). With the multiple award-winning SONGS FROM THE SECOND FLOOR (2000), Roy returned to the featurelength film format. The next film, YOU, THE LIVING, premiered in Cannes in 2007.
INTERVIEW with Roy Andersson
Cast & Crew
Roy AnderssonPernilla Sandström
Roy Andersson
István Borbás, Gergely Pálos
Holger Andersson (Jonathan), Nils Westblom (Sam), Viktor Gyllenberg (King Charles XII), Charlotta Larsson (Limping Lotta), Lotti Törnros (the Flamenco teacher), Jonas Gerholm (the lieutenant colonel), Ola Stensson (the captain/hairdresser), Oscar Salomonsson (the Flamenco dancer), Roger Olsson Likvern (the caretaker)
Alexandra Strauss
Robert Hefter
Gorm Sundberg, Hani Jazzar
Ulf Jonsson, Nicklas Nilsson, Sandra Parment, Isabel Sjöstrand, Julia Tegström
Julia Tegström
